To request a higher resolution file of this image, please submit an online request. The Embarkation for Cythera ("L'Embarquement pour Cythre") is a painting by the French painter Jean-Antoine Watteau. His wonderful 1719 painting Gilles portrays a dejected-looking Pierrot character gazing balefully at the viewer. are making a pilgrimage to a sanctuary of love. Starting right to left with the couple next to the statue. For more about 18th century Rococo art, The Embarkation for Cythera was used by art students for target practice in the Louvre, who peppered it with bread pellets. When Watteau was accepted as a member of the Academy in 1714, he was expected to present the customary reception piece. Girls from the aristocracy and the well-to-do bourgeoisie To increase the size of the text, use the browser menu or press Ctrl and the middle mouse button, To decrease the size of the text, use the browser menu or press Ctrl and the middle mouse button, To print this page, use your browser's print button or press Ctrl and P, Classical Antiquity, Ancient Greece and Rome, Publications for the blind and sight-impaired. The Embarkation for Cythera 1717 Jean-Antoine Watteau 2065 Reviews Get hand painted museum quality reproduction of "The Embarkation for Cythera 1717" by Jean-Antoine Watteau. Shortly after, he worked for interior designer Claude Audran III and picked up Rococo design influences.Watteau's attraction to Rococo's curving lines and decorative nature became central to his later work. The painting would be acquired by the Louvre museum in Paris, and a second version sold to the Charlottenburg Palace in Berlin; in those days it was certainly something of a triumphfor such honour to be bestowed on the unruly son of a roofer. The Embarkation for Cythera or "L'embarquement pour Cythre" is one of the most famous paintings by Jean-Antoine Watteau, a pioneering artist of the Rococo era in the early 18th century. A veritable crucible of young talent, this remarkable enterprise contributed to the development throughout Europe of the rocaille style, of which Watteau was one of the main instigators. time for a painting originally bought by the Prussian king Frederick II the five-year-old heir to the throne, and moved the seat of government He is invariably described as difficult by his contemporaries, being restless, period of activity. Oath Embarkation For Cythera - History - LiquiSearch The painting speaks to the state of France before the Revolution, and illuminates the naivety and indifference of the aristocracy that agitated the first sparks of the French Revolution. The first, somewhat Entdecken Sie spannende Details zu Kunstwerken aus ungewhnlichen Blickwinkeln in unter zwei Minuten. It might be outdated or ideologically biased. Antoine Watteau: 1684-1721. see the following resources: Giambattista With its light and wispy brushstrokes, the hazy landscape in the background does not give to any clues about the season, or whether it is dawn or dusk. French painter and draftsman. The word Rococo is a combination of the French rocaille, or shell, due to the heavy usage of shell-like curves, and the Italian barocco, or Baroque style for its decorative nature.Its style emergence was first displayed in the decorative arts and interior design before Watteau adapted it toward painting aesthetics. The first, somewhat stilted version is dated 1710 and hangs in the Stadel institute in Frankfurt. Louvre, Paris Warning The original file is very high-resolution. API records are regularly refreshed with data from our catalog. An Jean-Antoine then advanced to the workshop of an interior decorator, who was influential in encouraging him to make more sophisticated drawings and etchings. [1] Watteau submitted this work to the Royal Academy of Painting and Sculpture as his reception piece in 1717. While this much-debated question is probably as old as style or in the costumes of the Italian Commedia dell'arte. It was the ladies who set the gallant tone in the salons and No longer under the watchful eye of Louis XIV, the aristocracy left Versailles for Paris, and often left Paris for retreats into fantasy days in pastoral settings as in Embarkation for Cythera. For the meaning of other masterpieces, Centuries later art critics are still focusing on Watteau's work.Proof that Watteau still draws the interest of modern day art critics can be seen in the many recently published books whose contents are in complete dedication to his work.Such positive reflections can be read in Jed Perl's 2008 publication, Antoine's Alphabet: Watteau and His World. Art Appreciation The dreamy distant landscape is another innovative feature of to return home? liberal on matters of physical love, however, than the strict regime of He moved from his native Valenciennes, a city that only recently became a part of France in the late 17th century, to Paris in the year 1702. Watteau submitted this work to the Royal Academy of Painting and Sculpture as his reception piece in 1717. variation upon the Louvre picture. 160 pages, Paperback with large flaps, 17 x 23.5 cm. every day, even in winter and must have had little time for lover's idlenesses It is also known as Voyage to Cythera and Pilgrimage to the Isle of Cythera. The Embarkation for Cythera - Antoine Watteau Oil Painting for Sale of Louis XIV, who had reigned as the "Sun King" for 72 years, art, but also how to tap into the fantasies and longings of theatre-goers Although he was a highly sought-after artist, making a handsome living simply working as he wished, Watteau was careless about his future and reckless about his financial security. The Embarkation for Cythera | Harvard Art Museums Louvre Museum, Paris. The Watteau makes the success of The Embarkation for Cythera, 1717 - Antoine Watteau - WikiArt.org which is also known as The Embarkation for Cythera or Pilgrimage Even his success became a burden to him. Fragonard (1732-1806) The Embarkation for Cythera explained He rose at 5 o'clock in the morning 11197, Landscape with the Prophet Balaam and his donkey, Landscape with the Attack on a Covered Wagon by a Group of Riders, Acadmie royale de peinture et de sculpture, Florence Dancourt: Die drei Cousinen, Lustspiel, Urauffhrung 1700 in Paris. drives displayed by their admirers into more intellectual areas - in other Watteau pursued both of these themes. Other examples include;Pilgrimage to Cythera, 1718-1721: The second version of this composition which today hangs in the Charlottenburg Palace, Berlin.The Pleasures of the Ball 1717: Once again, Watteau does an extraordinary job of convincing viewers that his conjured up reality is no longer a dream but the way life should be. Description The island thus became sacred to Aphrodite and love. and hedges of the Sun King's gardens at Versailles. gait of his young men. a new type of picture known as La fete galante (a sort of allegory They felt he truly was in a category of his own.Jean-Antoine Watteau is attributed to extending the bounds of 18th century French-born artistic period Rococo, beyond architecture, furniture and sculpture and into painting. longer swallowed up by the military. Genre: Fete galante The transcendent painting survived, but was safely placed in storage until the 19thcentury to keep it safe from disgruntled protestors. The preoccupation with elaborate and delicate surface decoration in Watteau's work highlights the aristocracy's preoccupation with elite pleasures and their lack of concern for the state of France. and romance where lovers go to find their ideal partner (in classical Watteau's portrayal of Cythera is perhaps the best deception the most vivid imagination could conjure up.His is an island of love, a paradise decorated with brightly colored landscapes that would enchant even the most plutonic friends to accept the invitation of love. W Watercolourist in the Louvre by Pascal Dagnan-Bouveret (2 F) Media in category "Embarkation for Cythera by Watteau (Louvre)" The following 16 files are in this category, out of 16 total. million if the remaining third could be raised from private donations. were invited to make a donation to ensure that Antoine Watteau's Pilgrimage The Embarkation for Cythera ("L'embarquement pour Cythre") is a painting by the French painter Jean-Antoine Watteau. The statue to the right is of Venus, the goddess of amorous love, and the viewer can count three pairs of lovers in the foreground, and several more descending down the hill. Louvre Museum. Poetic charm also distinguishes Watteaus drawings, usually executed either in red chalk (sanguine) or in three colors (black chalk, red chalk, and chalk); the drawings testify to his keen observation and profound study of nature. literary counterpart. The city's residents He submitted this work to the Royal Academy of Painting and Sculpture as his reception piece in 1717. In Florent Carton (Dancourt)'s Les Trois Cousines (The Three Cousins), a girl dressed as a pilgrim steps out from the chorus line and invites the audience to join her on a voyage to the island, where everyone will meet their ideal partner. as his presentation piece to the Fine Arts Academy in Paris. It was Watteau, the painter of the French Rococos ftes galantes, who executed this work. end of the journey when the lovers must re-embark for home, although this The following article is from The Great Soviet Encyclopedia (1979). Antoine Watteau et l'art de l'estampe - Muse du Louvre Editions of Marat (1793) by Jacques-Louis David. of Versailles an artistic style dedicated to showy self-glorification, https://sammlung.staedelmuseum.de/de/werk/die-einschiffung-nach-kythera#yt, Two Pilgrims and a Standing Woman in Profile, The Canal Grande in Venice with a View of Santa Maria della Salute, Venetian Jugglers in front of the Palace of the Doge, Mountainous Landscape with a River, in the Foreground a Village with Several Boats Moored at the Bank, Pompeii: Domus Vettiorum, Painted Room, No. The Embarkation for Cythera Jean-Antoine Watteau (1684-1721) lived a very short, very successful life. It was around 1710 that Watteau painted his first, more literal version of the subject, which nonetheless bears a compositional similarity to the Louvre painting. A second, variant version of the composition, painted by Watteau in 1718 or 1719, is in the Charlottenburg Palace, Berlin. wished to sell it for a price of DM 15 million. Christened Oct. 10, 1684, Valenciennes, French Flanders; died July 18, 1721, Nogent-sur-Marne, near Paris. freely, so the rigid class society became more permeable. When Watteau was accepted as a member of the Academy in 1714, he was expected to present the customary reception piece. inscription: in plate, lower margin, right: Tardieu Sculp. who had cultivated in the Palace A second version of the work, sometimes called Pilgrimage to Cythera to distinguish it, was painted by Watteau about 1718 or 1719[3] and is in the Charlottenburg Palace, Berlin. He used lead to mix his paints. The Embarkation for Cythera - Wikidata ideal setting for escapist feasts. [1] Watteau submitted this work to the Royal Academy of Painting and Sculpture as his reception piece in 1717. The Embarkation for Cythera - Art and Popular Culture sparkling exchanges between the genders finds its echo in Watteau's Pilgrimage They embody sensual love; Watteau thus employs figures Pilgrimage to Cythera Multiple cupids can be seen flying around the couples, some pushing them closer together. and still life. The Embarkation for Cythera by Jean-Antoine Watteau - Famous Art Observers over the centuries have debated whether this indicates they have already paired up, and although many interpretations have been attributed to the work by art historians, Watteau himself purposefully offered no answers or clues. As his career progressed the artist combined his love for the theater and his fascination of the Rococo styling and design and developed a truly unique style of painting with ornate elegance that gained him critical attention. Many art historians have come up with a variety of interpretations of the allegory of the voyage to the island of love. In ancient times, Cythera, one of the Greek islands, was thought to be the birthplace of Venus, goddess of love. He submitted this work to the Royal Academy of Painting and Sculpture as his reception piece in 1717. like Watteau, see our the Academy in 1714, but in return was expected to present the Academy Galante Painting Embarkation to Cythera | Article about Embarkation to Cythera by The in his work, repeatedly changed his lodgings and wanted only - as a friend [2] The painting is now in the Louvre in Paris. Almost singlehandedly Watteau managed to spur the revival of interest in colour and movement, making them as imperative as they had been in the paintings of Correggio and Rubens. Although he was given unusual freedom in choosing a subject for his painting, his failure to submit a work brought several reprimands. Charles-Antoine Coypel, the son of its then director, later said: "The charming paintings of this gracious painter would be a bad guide for whoever wished to paint the Acts of the Apostles. These elaborated a much simpler depiction painted by Watteau in 1709 or 1710, which is now in Frankfurt. Watteau submitted this work to the Royal Academy of Painting and Sculpture as his reception piece in 1717. for it: the fete galante. In the ancient world, Cythera, one of the Greek islands, was thought to be the birthplace of Venus, goddess of love. Jean-Antoine Watteau: Einschiffung nach Kythera (2. "The Embarkation for Cythera (Nicolas Henri Tardieu)(After Jean-Antoine Watteau) , G3821," Harvard Art Museums collections online, Jun 06, 2023, https://hvrd.art/o/279009. for this by honing the agility of their bodies and minds. The painting is now in the Louvre in Paris. The painter shows nothing of the pleasures of the senses, Behind A Watteau Picture: A Fantasy in Verse in One Act. The Embarkation For Cythera stock photos are available in a variety of sizes and formats to fit your needs. Embarkation for Cythera | Art UK The Embarkation for Cythera (or Pilgrimage to Cythera, French Embarquement pour Cythre) is a painting by the French Rococo artist Jean-Antoine Watteau. It is also known as Voyage to Cythera and Pilgrimage to the Isle of Cythera. The painting is now housed at the Louvre in Paris, France. Oil and Canvas. Whether Watteau himself ever took part The Embarkation for Cythera. It depicts the party or celebration called fete galante, which was enjoyed starting right after the death of Louis XIV. b) He places emphasis on the seated couple. Embarkation for Cythera remained in the possession of the Royal Academy of Painting and Sculpture until it was moved to the Musee du Louvre (previously known was the Museum Central des Arts de la Republique) in 1793, 76 years after its completion. ""It is love; but it is poetic love" is a dictum by the Goncourt brothers on the painting The Embarkation for Cythera." At that time I suppose I responded to the delicacy and romance of the painting without any . remains moot: some critics believe the boat is about to set off to Cythera. of the up-and-coming bourgeoisie: the son of a cloth merchant, he made The Embarkation for Cythera 1717 - 1st Art Gallery Watteau documents this process in several stages: some couples are arm Instead, lovers prance around together and cupids fly overhead.Clearly, Watteau intended The Embarkation for Cythera to give the notion of a fine fantasy.Brushstrokes: Watteau was known for using a light and airy brushstroke to create his hazy dream-like atmospheres. acceptance into the Academy, the title "embarquement pour Cythere" This painting it also important because of the culture during this time being show, especially thefrivolityof the nobility inFrance. The painting is now in the Louvre, Paris. Soon he was to gain a post as assistant to Claude Gillot, a notable artist whose work certainly went against the grain of the establishment approved art of Louis XIVs reign. Influenced by the Venetian Giorgione The Embarkation for Cythera is a painting by the French painter Jean-Antoine Watteau. This record was refreshed July 13, 2023 05:40 am. This picture was Watteau's diploma piece for the Acadmie royal de Peinture et de Sculpture. of courtship and falling in love). years, fete galante (feast of courtship) had become a genre in its own Charlottenburg Palace, Berlin. clad in the latest fashions - only Venus and the swarm of pink putti The painting is now housed at the Louvre in Paris, France.A second, variant version of the composition, painted by Watteau in 1718 or 1719 . In his famous reception piece for the Academie, Watteau shocked the judges with his original style. then able to sell for a hefty profit. from mythology to indicate the ultimate goal of gallantry and flirting. This artwork was chosen to show one of the morerecognizedRococo paintings of this time. ENCYCLOPEDIA OF ART EDUCATION The Embarkation for Cythera Factual Information: From: France Period: 1717 General Information: The Embarkation for Cythera is a french Rococo painting by Jean-Antoine Watteau. include her in the scene, if the boat is waiting to depart for her island. He died in 1721 aged 36 - it is presumed The Embarkation for Cythera - Charles Saatchi This object does not yet have a description. in arm, while in other cases the gallant has placed his arm around his The Embarkation for Cythera (1717). The center of the canvas lights up the three main couples and the shadows retreat to play in the trees so less attention is paid to other characters. fortunes in trade and industry. "raw and uncombed", but at the same time embellished with artificial However, the subject of Cythera may have been inspired by certain 17th century operas or an illustration of a minor play. The admiration doesn't stop there. In 1719-20 he visited England. Both, painter and writer, consciously distanced Gallantry also dictated an important part the painting itself, whether we are at Point A or Point B is not important See his famous work The Swing (Fragonard) University of Delaware Press, 2006 Stranahan, C. H. A History of French Painting From the Earliest To Its Latest Practice. Christened Oct. 10, 1684, Valenciennes, French Flanders; died July 18, 1721, Nogent-sur-Marne, near Paris. By Jean-Antoine Watteau. Set on Cythera, a fantasy island of love A third version, now in the Schloss Charlottenburg, [4] Meanwhile, Watteau worked on numerous private commissions that his rising reputation brought him. In true Watteau fashion, the colorful foliage provides a superb backdrop for his beloved characters.Works by other artists: Watteau's fantasy theme continued on the canvasses of other Rococo artists such as Jean-Baptiste-Joseph Pater. delicate 18th Cornell University Press, 1984 Rogers, Robert Emmons. Watteau had demonstrated an interest in painting at a young age. The Embarkation for Cythera (or Pilgrimage to Cythera, French Embarquement pour Cythre) is a painting by the French Rococo artist Jean-Antoine Watteau.He submitted this work to the Royal Academy of Painting and Sculpture as his reception piece in 1717. The jovialities of human life flitter across his unique landscapes and atmospheres. Since they have already paired up, there is a chance they may be leaving. - with the thalers collected in taxes from the citizens of Prussia. Watteau not only learned about decorative Embarkation for Cythera Painted by Jean-Antoine Watteau in 1717 From "L'Art du Dix-huitime Sicle" by Edmond and Jules De Goncourt .more .more Antoine Watteau, Pilgrimage to Cythera. Even in his earliest years, pursuing the characteristic motifs of genre painting of the 17th century, Watteau addressed himself to portraying contemporary life around him (The Bivouac, Pushkin Museum of Fine Arts, Moscow; Savoyard With Marmot, 1716, Hermitage, Leningrad), which he invested with a special intimacy and lyrical emotion. On our side of the water, a company of young ladies and gentlemen in festive attire has gathered to board the gondola and head for the isle of love. The neutral palette of the landscape is complemented nicely by the pastels of the lover's costumes.Lighting: The lighting cast in this dream plays up the bright colors of the character's clothing. their efforts patently clear in the bended knees, tender glances and delicate In any event, the painting's acclaimed qualities include its rhythmical This is particularly evident in the wispy clouds and lazy leaves.Color Palette: The landscape's bright palette echoes that of 16th century Venetian paintings. received that the Academy decided to invent an entirely new classification and for his rich nuances of body language, which can be studied so clearly Paintings. see: Famous Paintings Analyzed. middle classes copied the lifestyle of the aristocracy, built themselves PLACE, 2008 Mollett, John William. Watteau had been accepted as a member of The painting is now in the Louvre in Paris. To find out more about Watteau and his works please choose from the following recommended sources. Lauterbach, Iris. This style became a significant influence Regarded as one of the details of gallantry thereby tended to be skipped over only meant that [10] Four decades later, Debussy's compatriot Francis Poulenc wrote a lively piece for two pianos which took the name of the painting for its title, "L'Embarquement pour Cythere". His friendship with painters C. Gillot and later C. Audran fostered development of Watteaus interest in the theater and in decorative art. --Sholem Stein. Movement: Rococo Art and who during his latter years had ruined the country with expensive The work celebrates love, with many cupids flying around the couples and pushing them closer together, as well as the statue of Venus (the goddess of sexual love). century colour palette, which anticipates the innovations of the Rococo, executed these studies of courtship, the faces of his figures all look Watteau's nomination was accepted by the Acadmie in 1712, but he had to be called to order several times and in 1717 he was given six months to execute his . Watteau was the first to recreate in art the world of the subtlest spiritual states, often tinged with irony and bitterness born of the perception of the discrepancy between dream and reality. To avoid these issues, use the ZoomViewer. By popularizing Watteau's noted - to live a quiet life. After his death, Watteaus art fell witheringly out of favour. hid himself away from the wealthy collectors who were now taking an interest It has often been noted that, despite the title, the people on the island seem to be leaving rather than arriving, especially since they have already paired up.
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